Ziva Postec. La monteuse derrière le film Shoah, le film de Catherine Hébert dont je suis le conseiller historique aura sa première internationale à l’International Film Festival Rotterdam (IFFR) le lundi 28 janvier 2019 à 19h15 au LantarenVenster. Trois autres séances ont lieu dans le cadre de ce festival. Ces projections font suite à la première nationale qui a eu lieu aux RIDM (Québec) en novembre 2018.
Présentation par le festival du film de Rotterdam:
“It was the pinnacle of my career”, says editor Ziva Postec of Shoah, the monumental Holocaust documentary she edited between 1979 and 1985. She and director Claude Lanzmann (1925-2018) were a good team, she says: he a journalist, she with her film background, even though “Lanzmann wasn’t an easy man”. Postec, born in Israel in 1940, moved to Paris in 1961, where she worked as an (assistant) editor for the likes of Alain Resnais, Jean-Pierre Melville and Orson Welles.
This film tells her life story, emphasing the period when she was editing Shoah, selecting from 350 hours of footage. Lanzmann shot seven to twenty hours of footage for each interviewee (victims and perpetrators). Footage which Postec then “edited like lacework”, punctuated by shots of the “guilty landscape”. When Shoah was finally finished (running at over nine hours), Postec collapsed from exhaustion for three months. In 1986 she returned to Israel, where she still lives.
OpenEdition vous propose de citer ce billet de la manière suivante :
Rémy Besson (16 janvier 2019). Ziva Postec. La monteuse derrière le film Shoah (2). Cinémadoc. Consulté le 13 octobre 2024 à l’adresse https://doi.org/10.58079/mtag